Every release, in order.

• Flipping to the front camera is quick and clean again. The front used to show an over-saturated, unmirrored picture for about ten seconds while the controls still showed the back camera. The flip now lands in under a second, already in the right look and mirrored.
• A second tap flips back. Tapping the flip button again during that wait used to do nothing, so the camera stayed on the front.

• The Mac and iPad preview no longer blanks during a short Wi-Fi hiccup. A stall of a few seconds, or a lost Bonjour announcement, used to drop the link and redial it. The link now waits about eight seconds before giving up, and a dead link still reconnects by itself.
• Link comes back on by itself. If iOS closes Memios while the phone is locked, the next launch turns Link on again and an approved Mac or iPad reconnects without a tap.

• Your iPhone links only to a Mac or iPad that proves it is the one you approved. Copying a device's name or key on your network is no longer enough, so update the phone, the Mac and the iPad together.

• Link the Mac and the iPad at the same time. The phone now serves both at once, and its Link panel names each device instead of saying "Mac".
• A crash fix for remote tracking. Starting a track from the Mac or the iPad could quit the app in 0.30.13, and it no longer does.
• The iPad's "Link with" picker works again. It opens, lists your phone and keeps your choice, and the Mac no longer shows "Waiting for video…" over a live picture.

• Run the iPhone 18 Pro's aperture and tracking from the Mac and iPad. The remotes show and set the aperture, TRK starts or stops a track, and a tap on the iPad picture picks the subject to follow.
• See what the phone is tracking. The tracking rectangle now shows on the iPad and the Mac while the phone follows a subject.
• Turn the picture 90° per tap. A rotate chip in the iPad control pane and the Mac's Rotate output button each turn it a quarter turn clockwise.

• Save a LUT mix as a new look. In the LUT Library, "Save as LUT…" turns your layer stack into one look you pick from the Fn menu like any other.
• LUT presets are gone. Save a mix as a LUT instead, saved presets are not carried over.
• The Base photo follows the Fn menu. The Settings Photo "Base" picker is gone, the Base photo uses the BASE LUT you picked, and the Look photo still uses the whole pipeline.

• Focus tracking on iPhone 18 Pro. Set the preview tap to Track, then tap a subject and the camera keeps focus on it as it moves. Tap something else to follow that instead.
• Drag the touch icon onto a subject to track it. The drag works whatever the preview tap is set to, so you can start a track without changing your tap setting.
• Only the outline shows while tracking. A teal outline follows the subject, and it turns white and dashed when the camera loses it. The usual focus square stays hidden until the track ends.
• The focus badge reads TRK while a track runs. One tap on it stops the track and leaves continuous autofocus, and the next tap locks focus as before.
• Where tracking works. It works on the back cameras of the iPhone 18 Pro. The front camera and the iPhone 17 Pro cannot track, so a tap there locks focus as it always has.
• The camera comes back after a call or Siri. When something else takes the camera, the picture used to stay frozen until you reopened Memios. Now the camera restarts by itself, and a line on screen says why it is unavailable until it does.
• No more empty takes from a stopped camera. Record and the photo button are dimmed and refuse the press while the picture is stopped. A take that is rolling when the camera stops is ended and saved at once.
• Import… in the Fn menu works again. Picking a .cube from an Fn LUT panel now imports it and picks it into that slot. If the file is still in iCloud, Memios tells you to download it in the Files app first.
• A Lock Screen video gets your imported look. The Lock Screen records the Apple Log original, and Memios grades it with your whole look the next time you open the app. Keep Memios open while it works: it takes about half the clip's length at 4K30, longer at higher frame rates, and the progress shows on screen. Native video is not included. Until the graded video is saved, the take briefly needs about twice its size free on the phone.

• Your imported looks now show on the Lock Screen camera. The Lock Screen cannot hold your imported .cube files, so it previews them through a small approximation of the look, close but not exact. The video it records is not graded with an imported look yet.
• A Lock Screen photo gets its look photo too. The photo with the base look saves at once, and the photo with your imported look is finished the next time you open Memios, with the same place and time as the shot. If a look it needs has been deleted by then, the photo is still saved with the looks that remain, and Memios tells you which one was missing.
• The Lock Screen says what it is doing. A look it cannot apply is named and marked N/A in the Fn menu and the readout, instead of quietly showing as None. If the Lock Screen camera starts without your settings, it says it is using defaults.
• A look you pick on the Lock Screen follows you into the app, and the other way round. The newest choice wins, and opening either camera without changing anything no longer undoes a choice made on the other.
• Variable aperture on iPhone 18 Pro. An f/ chip and wheel set the aperture from f/1.5 to f/4. Auto, in P, lets Memios open and close the iris for you, and tapping to meter keeps the aperture where it is.
• ZEBRA in the Fn menu. Stripes show where the picture is clipping in the highlights or crushing in the shadows, measured before the look so they mean the same with any LUT.
• The intensity slider follows your finger live, and the exact look is applied the moment you let go.
• Looks switch faster. Recently used and likely next combinations are prepared ahead, so switching back to one is close to instant.
• A lens switch no longer turns a locked white balance blue. Locks, exposure and white balance now land on the camera you switched to, after it is running.
• A missing LUT file can no longer erase your look. If a look's file is missing, your choice is kept and named until the file is back, instead of being saved over as None.
• The LUT Library preview starts empty. It shows footage only after you choose some, instead of loading your latest recording.

• AUTO now sits directly above Fn on the right edge, with Fn at the bottom.

• One press to full auto from the Mac and iPad remotes too. MemiosCam on the Mac and MemiosCamPad on the iPad gain the same AUTO button as the phone: program exposure, EV 0, locks released, auto white balance, sent as the five commands the phone already understands, so older phones and remotes keep working together.
• Native's 4:3 preview is the right shape from the moment you enter it. It used to open as a centred 16:9 letterbox, snap to the top after the first take and stay there, and the 16:9 guide band did not draw until then. The frame is now 4:3 at the top of the screen on entry, like the stock camera, with the guide band drawn, and a take no longer moves it. Expect the preview to show 16:9 while rolling and return to 4:3 at stop, which is what the take actually records.

• One press to full auto. A new AUTO button under Fn sets program exposure, EV 0, continuous focus and auto white balance in one go, releasing any locks, for when the scene changes faster than you can dial. Lens, tier, look, zoom and stabilization stay as you set them, and a second press changes nothing.
• Import a LUT straight from the Fn menu. Each LUT panel ends with an Import… chip. The imported .cube lands in the panel you pressed, tagged for it, and is picked into that slot at once.
• The 0.30.6 note about the tile captions shows its text again on the What's New page.

• The base tile shows its full name again. The 0.30.5 slider work reserved room for a percent on the base tile too, which squeezed "Apple Log to Nature" into an ellipsis. Only the creative tile reserves it now.
• The look tiles are captioned BASE LUT and CREATIVE LUT. Same two slots, named for what they hold.

• Dial a creative look in from the Fn menu. The CREATIVE tile now has an intensity slider under its looks, so you can fade a look without leaving the camera. Switching looks keeps the strength you set, None then a new pick starts at full, and the tile reads the strength beside the name. A look dragged to 0% stays picked, so you can bring it straight back. Base looks stay at full, since a half conversion is not a look.

• Flipping or switching lenses keeps your exposure, white balance and locks. Every camera change wrote the exposure mode, fixed shutter, white-balance lock and the AE/AF/AWB holds onto the camera you had just left. They now land on the camera you are on, both ways.
• Native no longer behaves like a RAW feed when you came from a RAW tier. Entering Native from RAW FULL used to drop the look from the preview, dim white balance with a ProRes RAW message, kill the flip button and show the RAW card on the webcam. Native now behaves as the processed feed it is, and the RES tile names the tier it actually records.
• Nothing sticks if you tap during launch. The PHOTO tile and the stabilization chips are refused until the camera is ready, like the lens row, so a tap in the black cannot strand the app in the wrong mode or be silently undone a moment later.
• The remote's zoom chips match the phone. The iPad and Mac controls no longer offer zoom before the camera is running.
• A saved RAW tier survives a Native launch. Opening in Native no longer rewrites the Cine tier you had chosen.
• The stabilization tile tells the truth. When a lens or format cannot run the mode you picked, the tile names what the camera is actually running, and your choice stays selected.
• The SS and ISO wheels sit still. The wheel now centres on the value you set, like the chip above it, instead of chasing the meter.
• A white-balance drag that gets interrupted disarms itself, so your next tap focuses instead of sampling white.

• The lens row and the camera can no longer disagree. Tapping a zoom pill while the camera was still starting left that pill highlighted with the wrong number on it, and the wide lens recording behind it. Pills now stay dimmed until the camera is ready, and a highlight only ever shows a choice the camera accepted.
• Stabilization follows the lens you switch to. Switching between the wide and the tele applied the previous lens's stabilization setting to the new one, so the tele could run Standard and the wide Cinematic until a relaunch. Each lens now gets its own setting on every switch.

• Fn selections stay open. Picking a setting no longer collapses its option strip, so you can try another value without reopening it.

• Base and Creative looks are now one tap away in the Fn menu. Each slot can be changed without replacing the other, and look changes stay locked while recording or holding the camera configuration.

• A developed RAW take now matches the camera. A take graded in the develop editor came out slightly flatter than the same look recorded in Cine, and the editor's preview did not match the file it produced either. All three now come from one and the same graded cube.
• The develop editor scrubs and plays smoothly. Scrubbing no longer stalls, and playback keeps its frame rate with a look on. The look is now applied on the GPU, the same way an export is, so the preview is both faster and exact.
• A RAW take always finishes saving. A stop at the end of a long take could leave the app on "Saving…" with no file in the library. Fixed, with a test that reproduces it.
• Dimmed buttons over the picture no longer focus the camera. While recording, tapping a greyed-out LUT, Monitor, Bypass or Preset button used to fall through to tap-to-focus and rack focus mid-take.
• Guides, grid, level, focus peaking and badge drags now follow you to the lock screen. These switches were app-only; the locked camera now honours them.
• Settings survive their edge cases. The RAW codec is restored with everything else, Mirror Output sticks, and changing resolution or frame rate in Cine lands on the tier you chose.
• Removed: the Compare toggle in the Photo settings (a tuning aid that had served its purpose) and the phone-side Portrait/Landscape webcam switch. Webcam rotation belongs to the Mac and the iPad monitor, which already have it.
• Under the hood, most of the app was reorganised so mode switches replace the camera configuration in one place instead of adjusting it in thirteen. Every mode switch, lock and hold has been re-checked on device. If something behaves differently after a flip, a lens switch or entering Native, please say so.

• The capture info is readable on every iPhone again. The format, white balance and look used to sit in the black strip beside the Dynamic Island. On newer Pro phones the island covered the end of both lines, and a Live Activity hid them completely. They now sit on a small dark label in the top-left corner of the picture, just below the island, where nothing covers them and bright footage can't wash them out. A long look name ends in "…" instead of shrinking the text.

• Haptics work again. Every tap the app gives — lens picks, badge drops, the new level tick — had been silent because iOS mutes haptics while the camera holds the microphone. Memios now opts back in, and keeps opting in whenever the audio session changes.
• A horizon level, like the stock Camera's. Settings ▸ Camera has a new Horizon level switch, off until you turn it on. A line across the middle of the preview shows how far the picture is from level and turns teal the moment it is, so you can straighten a shot without guessing. It works held any way up — portrait, either landscape, upside down — and it stays visible while recording. It is only ever on the preview: nothing draws it into your photos or takes.
• A thirds grid. Settings ▸ Camera has a new Grid switch, off until you turn it on. It lays the classic rule-of-thirds lines over the preview so you can place a subject or a horizon without eyeballing the middle, and it stays up while recording. Like the level, it is only ever on the preview: nothing draws it into your photos or takes.
• Guide lines can be switched off. Settings ▸ Photo has a new Guide lines switch for the faint 16:9 band lines in Native. Off, the photo frame shows clean.

• No more black bars around the webcam picture. The phone used to fit its picture inside a fixed landscape frame and fill the rest with black. It now sends the picture at its own shape, and the window on the Mac and the iPad monitor reshape to match. Webcam output on the phone stays Portrait or Landscape as before — so set it to Portrait and a portrait picture now arrives on the Mac as a portrait frame, not a small one boxed in black.
• Turn the webcam picture from the Mac. MemiosCam has a new Rotate Output setting — Upright, Rotated Right, Upside Down, Rotated Left — in its window and in the Link menu, with ⌥⌘L and ⌥⌘R to step it either way. It turns the picture last, just before it reaches the Memios camera, so an iPhone clamped sideways in a rig comes out the right way up in Zoom, Meet or FaceTime without anyone touching the phone. The preview in MemiosCam shows the same turn, so what you see is what the meeting sees, and your choice is remembered next time. A quarter turn changes the shape of the picture, so an app already using Memios may need the camera picked again.
• Both sides can now choose which device to pair with. On the iPhone, Link settings has a new "Link with" — leave it on "Any device" and nothing changes, or pick one Mac or iPad and only that one gets in. On the Mac and the iPad monitor there is the same picker for the other direction: which iPhone to call. A device that is not the chosen one is told so and shown "Not selected on iPhone (it chose …)" instead of silently retrying forever. Approving a device and choosing it are separate things — the iPhone still asks before letting anyone in.
• A shorter lens row. Each lens now shows at most two zoom buttons — its own view and one step in. The extra numbers past that were just cropping into the same lens for a smaller picture. Every real lens keeps its own button.
• Native mode works on devices without Apple Log, like an iPad. Front camera included — it picks the front lens with the biggest photo, and keeps the preview big enough to actually frame with. Memios used to refuse to open the camera at all unless it found an Apple Log lens. It now opens in Native, uses every lens the device has, and takes photos and video there — Cine stays off with a note saying it needs an Apple Log camera. On these cameras a recording is wide-gamut SDR rather than HDR, and the readout says so.
• Photos keep their HDR again. A photo taken with location tagging on was being saved without its HDR data — it looked flat next to the same shot elsewhere. Fixed, and every new photo keeps it.
• Native mode: your iPhone's own camera, inside Memios. A new mode next to Cine. It hands the camera back to Apple's own pipeline, so you get the biggest photo each lens can take and video in HDR — with all of Memios' controls still around it.
• Video in HDR. A take in Native records HDR, the same kind the Photos app shows bright and deep on your screen. Cine keeps recording Apple Log for grading — the two modes are for two different days.
• Photos in HDR too. A Native photo is the full-size still your iPhone would take on its own, gain map and all, so it opens bright everywhere iPhone photos do.
• The front camera joins. Native now works on the front camera too, taking a 12 MP photo on either front lens.
• Native's front camera takes Portrait or Landscape photos at 12 MP, Landscape with the wider view. Tap the shape on the lens row to switch. It changes instantly — the camera crops its square sensor a different way instead of restarting — and both framings give you the same 12 MP, so nothing is traded away. Guide lines show the band a recording will use inside whichever frame you picked.
• Native and Cine keep their own front framing. Set Native to Landscape and Cine still opens exactly as you left it, and the other way round. Each mode remembers its own choice, and both come back after a restart.
• A look grades everything, and turns HDR off. Put a look on in Native and it grades the preview, the take and the photo, all the same — the trade is that the result is SDR. Take the look off for HDR back.
• Guide lines show what a take will capture. Native sits on the taller photo frame, so faint lines mark the 16:9 band a recording will actually use.
• The Fn menu now only offers what Native can do — RAW resolutions grey out, and if one was left selected from Cine, a Native take quietly records the biggest normal size instead.

• Shoot ProRes RAW open gate. Two new RAW resolutions — RAW FULL (4224 × 3024) and RAW CROP (up to 120 fps) — record straight sensor data for the most grading freedom an iPhone can give. Pick RAW or RAW HQ in the same menu.
• A RAW library, right in the app. Your RAW takes live in a new library — play, share, and delete them, several at once if you like. They stay out of your Photos and iCloud.
• Develop RAW into video. Open a RAW take, set white balance, exposure, and a look after the shot, and export a full-resolution graded video straight into Photos. A 4-second take develops in about 20–30 seconds.
• Scrub and play a RAW take while you grade it. Develop now has a timeline: drag to any moment, press play to watch it run, and every frame shows your white balance, exposure and look as you set them.
• Grade now, render later. Add takes to a render queue and let them all export in one go, so you can keep grading instead of waiting.
• Save a grade as a preset. Name a look you like and apply it to any other take — temperature can travel as a fixed number or as "as shot", so each take keeps its own.
• Apple's own conversion looks built in. Apple Log to 709 and Apple Log 2 to 709 join the Base looks.
• A press too short to record now says so. Tapping the shutter for an instant used to look like an error — it now simply says the take was too short to save.
• Every stabilization mode your iPhone offers. All seven are available, each named for what it does.
• Saving messages now always tell the truth — a RAW take says where it went, and a failed save says it failed.
• Fixed a rare crash that could hit the camera while it changed formats.

• Open gate: shoot 4:3 in Apple Log. A new 4:3 resolution records the taller sensor frame, so one take reframes to both vertical and horizontal in post. On every lens — up to 60 fps on the back cameras.
• Resolution is now a real menu. RES opens chips for HD, 4:3 and 4K with their exact pixel sizes, plus the frame's megapixels — no more blind cycling.

• What's new, right in the app. A new page in settings shows this changelog — see what each update brought without leaving the camera.
• The black bars now listen. On letterboxed framings (like the front camera's 1:1), drag on the black area to pull focus or ride exposure, and pinch to zoom — same feel as on the image.

• The lens picker is now built in. Your lenses sit as pills under the shutter, always visible — one tap to switch.
• Tap 1× again to punch in. It steps through 1× → 1.25 → 1.5 and back, no pinch needed.
• The zoom row always shows exactly where you are, even after you let go, and dims while recording so you don't fumble a lens swap mid-take.

• AWB lock. Long-press the WB badge to freeze auto white balance — long-press again to release. Picking any new white balance releases it too.
• Choosing Auto while the lock was held used to do nothing — it now correctly returns you to auto.

• "Start in 48MP" now really starts in 48MP. No more flash of the wrong mode or dark pause right after launch.
• The camera also opens straight at your saved resolution — fixes a bug where 48MP could silently overwrite it back to 4K, and 1080p launches are a touch faster too.

• Fast mode is now called Cine. Same video mode, clearer name, everywhere in the app.
• Choose your starting mode. A new "Start in" setting decides whether launch opens in Cine or 48MP.

• A hands-on gesture tutorial. Try every touch gesture for real on the live preview — find it at the top of settings, or take the one-time invite on first launch.
• The photo Base look picker now shows three choices per row, matching the LUT sheet.

• Smooth 4K 120 fps with your look baked in. No more stutter every half second — high-frame-rate graded takes now record clean.
• The viewfinder is snappier at high frame rates, and the camera does less background work while you shoot.

• The photo shutter no longer blocks. Press it and it's ready again almost instantly — stills save in the background, and a badge on the gallery thumbnail shows how many are still pending.
• Known limit: while recording at 120 fps, queued stills wait until the take ends.

• Tapping a dimmed capture control no longer racks focus — fixed for real this time.

• The photo shutter is ready again as soon as your still is captured, instead of waiting for it to finish saving to Photos.

• Tapping a dimmed button (shutter, record, flip, gallery, AF-L/AE-L) no longer accidentally triggers tap-to-focus.

• Sharper photos. The 8MP stills now get a sharpening pass they were missing — off by default, one slider to turn it on in the Fn drawer's Photo section.
• Compare saves the same shot at five sharpness levels side by side, so you can pick what looks best.
• 48MP photos and video are untouched; Lock Screen captures get the same sharpening option.

• Fixed a bug where recalling a saved preset right after launch could silently drop some of your look's layers — recordings made this way on 0.20.2–0.20.4 may only have the base layer.
• Webcam: landscape output now rotates the other way (counter-clockwise) on both Mac and iPad.

• The LUT Library preview now shows an accurate neutral image instead of flat raw footage when your pipeline is empty.

• Imported LUTs now load instantly on repeat launches instead of re-parsing every time — including when one is set as your saved Base look.

• Faster cold launch — the preview appears much sooner, and the brief ungraded flash some launches showed is likely gone too.

• Fixed a launch-timing bug that could reset your saved photo Base look back to Original.

• LUT bypass. A new BYP button mutes your look everywhere at once — preview, recordings, streams, photos — without losing your pipeline; tap again to get it back exactly as it was.
• New bundled look: Rec709, a neutral color conversion with no creative grade.
• White-balance tint range narrowed to a more usable ±50, with out-of-range saved values now landing at the edge instead of an unreachable spot.
• Your photo Base setting now survives a relaunch — it used to reset every time.

• New: Apple Watch companion app. Live graded viewfinder on your wrist, plus record, photo, an exposure dial, and tap-to-focus — works alongside the iPad monitor at the same time.

• 48MP photo mode, with a quick edge-button swap and its own quick-access sheet.
• Fixed: white balance picks in 48MP now stick properly.

• 0.17.0: What you see in preview now matches exactly what gets saved — no more surprises after the take.
• 0.17.1: Preview no longer freezes when you background and return to the app.
• 0.17.2: Faster cold start, and tele-lens stabilization now survives a relaunch.

• New: MemiosCamPad. Your iPad becomes a live field monitor that auto-rotates with your phone.
• Remote control from iPad and Mac. Focus, record, exposure, white balance, and zoom, all mirrored live from the phone.

• 0.15.0: Preview color now matches your output, and recordings/photos carry location tags.
• 0.15.1: Graded output always matches the preview now — the separate Color Match setting is gone since it's no longer needed.

• 0.14.0: Lock Screen captures (via Camera Control) now save straight to Photos without opening the app.
• 0.14.1–0.14.2: The Lock Screen gallery icon shows your latest take, and your LUT presets now work there too.
• 0.14.3: New bundled Cinefilm look; presets missing a look show dimmed instead of looking selectable.
• 0.14.4: The white balance quick button moved to the bottom of the right edge.

• 0.13.0: New teal camera look with compact controls, monitor-only LUT preview, and readouts moved into the notch.
• 0.13.1–0.13.3: The notch gear button is tappable again, Auto mode no longer resets your other settings, and pinch-zoom no longer gets confused by one-finger drags.

• New: shooting presets — save and recall your full camera setup in one tap.
• Imported LUT thumbnails now refresh properly.

• 0.11.0: Modeless capture bar — no more switching between photo and video, stills are instant frame-grabs so you can shoot photos mid-recording. Plus the new multi-layer LUT pipeline: stack looks with their own intensity, and browse, import, tag, and build them in the new LUT Library.
• 0.11.1: Fixed a black-preview bug that could happen after returning to a stale app.
• You can also choose what the Camera Control button does, in settings.

• New: Lock Screen capture. Shoot directly from Camera Control on the Lock Screen — no unlocking needed.
• A minimum auto-shutter floor keeps handheld shots from getting too blurry in low light.

• 0.9.1: You can now take photos while recording video.
• 0.9.2: EV (exposure) stays adjustable even while AE is locked.
• 0.9.3: Popups now close automatically when you tap outside them.

• The camera link to your Mac is now authenticated and encrypted.

• 0.7.0: The camera link now stays compatible with future updates, and you can choose your transport path and the webcam's resolution/frame rate.
• 0.7.1–0.7.4: Smoother playback under dropped frames, fewer accidental setting saves, and several gesture and orientation fixes.

Rapid-fire capture-UX day:

• Exposure now stays smooth across lens switches and AE-lock instead of jumping.
• Drag AF-L/AE-L onto your subject to lock there directly; one-strip lens picking; focus pulling with peaking; pinch to zoom.
• White balance reworked with presets and a drag-to-eyedropper, plus a recording tally light.